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Archive for November, 2009

Martha Rosler is a visual artist whose writings on photography theory have been widely influential over the last two decades. In this essay, her concern is with how documentary photography can continue to function in the postmoden world. The traditional practice of social documentary photography as a means of helping underprivileged, dispossessed or marginalised groups [...]

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Terry Barrett’s book Criticizing Photographs is a general introduction to photography theory with an emphasis on criticism – it aims to show the reader why criticism is important, how to understand photography criticism, and how to read photographs critically. This is a pretty good introduction to the area of photography criticism. I’m not going to [...]

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Susan Sontag’s On Photography is a text that every photography theory student grapples with at one point or another. I read it myself a good year before starting this course but if there was ever a case of something you read going in one eye and out the other this was it. Second time around [...]

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from The Photography Reader, edited by Liz Wells Roland Barthes’ Camera Lucida is a classic text of the realist school of Photography theory. I’ve been reading extracts from it as published in The Photography Reader (ed. Liz Wells). This post covers parts 1, 2,4 and 5 of the original text. Barthes commences by describing how [...]

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from Documentary Now! Contemporary Strategies in Photography, Film and the Visual Arts In this essay Maartje van den Heuvel examines the engagement of documentary photography with the art world and argues that we should consider this in the context of an increased visual literacy in our society, with documentary increasingly being used to hold a [...]

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