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AnimalCollective
Someone left the following comment on this blog a little while ago:

this site is not really helpful it could use a little more facts this is to who ever posted this to google

I thought I would try and address this situation a little bit by trying to come up with some facts about this photograph:

  1. It is a photograph of the band Animal Collective
  2. It was taken in Vicar Street a few weeks back
  3. The band were touring their new album which is called Centipede Hz
  4. They had huge inflatable stage props with lights inside them
  5. It is an exposure of approximately 4 minutes
  6. The aperture setting was f32
  7. It was taken using a Cambo camera with a 90mm Schneider lens
  8. It was shot on Ilford FP4 4×5 film
  9. The film was processed by Artur Sikora of the Darkroom Service
  10. The negative was scanned on an Epson V700 scanner
  11. The resultant digital image file is 1200 by 960 pixels wide giving a total of 1,152,000 pixels altogether

Happy Christmas.

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Sometime back in the early 90′s I was part of an email music discussion group called chugchanga. This was before way before blogs were around and also a good bit before discussion boards took off. Lots of well-informed and well-connected types used this list (for example Steve Albini would often pitch in) and it was a great way of finding out about new music that wasn’t necessarily being covered anywhere else. There was an Irish guy, who lived in Holland at the time (I’ve forgotten his name), who regularly contributed lengthy analyses of obscure and fascinating-sounding bands he had unearthed. One of these was Fushitsusha: a Japanese psych-rock trio who were led by an enigmatic character called Keiji Haino. They sounded like an incredible proposition. Not really a rock band in any conventional sense, they mixed together free improvisation with scorchingly heavy guitar noise to create something else, something that was, allegedly at least, beyond rock music. (more…)

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I haven’t posted any new pictures up here in some time. Summer is a pretty slack time for interesting gigs anyway so I decided to take a bit of a break from it for a while. I did go down to Cork last week though to take down the exhibition I had running in Plugd, and while I was there I took the opportunity to photograph Orchestra Of Spheres who were playing at the Half Moon theatre. It’s a pretty cool venue for a number of reasons beyond the fact that it has a big stage, nice layout and good sound. Firstly, it has giant gargoyles sitting on top of the speaker stacks. Every venue should have this. Secondly, and of far more significance, it was the place that Guided By Voices played their one and only Cork gig back in 2002. I wish I hadn’t been told this, because even as I was sitting on the balcony thoroughly enjoying the completely intoxicating psychedelic tribal party music of Orchestra Of Spheres, I kept imagining that it was Robert Pollard down there singing Motor Away. Great gig though all the same, and thanks to Albert for this and many other things besides.

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This is Thomas Bartlett, Iarla Ó Lionaird, Martin Hayes, Caoimhín Ó Raghallaigh and Dennis Cahill, otherwise known as The Gloaming, playing in Vicar Street a few weeks ago. An amazing gig and an amazing experience to be watching it all while photographing from the side of the stage. It was set up for me by Paul O’Connor at The Journal Of Music, who published the photo and also a short article I wrote to accompany it.  Big thanks to Paul, and also to Leagues O’Toole, Dennis Herlihy, Gary Sheehan and Iarla Ó Lionaird for helping make this happen.

The photograph above is also one of the prints that are in my current exhibition which is on view in Plugd at the Triskel Arts Centre in Cork. I went down last Thursday to set it all up and thanks are also due to Albert and Jim of Plugd for being so incredibly helpful and supportive. It’s going to be on until the beginning of July so do pop in and have a look if you find yourself in Cork city centre over the next few weeks.

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After having exhibited a load of these photographs last year in Dublin, I am delighted to say that the show finally hits the road with an exhibition in Cork that opens at the end of this week. It’s happening in Plugd records which is housed within the Triskel Arts Centre on Tobin Street. The Triskel is a wonderful multi-purpose facility that includes a music venue, the Black Mariah art gallery, a cinema, a cafe, a theatre space and more. Plugd records is easily the best record shop in the country at the moment so I’m really excited about having my work on show in that space.

The music venue at Triskel is also fantastic and the photograph above is of The Spook Of The Thirteenth Lock playing there a month or two back. It is one of a whole bunch of new photographs that are going to be in the exhibition. My original intention was to largely reuse work from my Dublin exhibitions last year but when it came down to it, there was too much new stuff that I liked so much that I couldn’t leave out. So, there are shots of The Gloaming, Jello Biafra, Dan Deacon, The Ex and Si Schroeder in there too. The exhibition will be in place on Friday and will run until the start of July. More information here.

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Here’s another shot from the Beyond The Bookshelf festival in Connolly Books last month. This is The Former Soviet Republic aka Ian Wright playing in the bookshop. I had the camera rammed between Ian and the door with most of the audience wondering what the hell that weird contraption behind Ian was.

This seems as good a time as any to announce that I will be having an exhibition of these photographs down in Cork next month. It takes place in Plugd records which is located in the Triskel Arts Centre. It opens on Friday 7th of June and then runs until the 6th of July. Looking forward to hanging these things up on a wall once more. . More details will be forthcoming soon. Sure have a listen to The Former Soviet Republic in the meantime.

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It’s been so long since I posted a picture up here. I have some really interesting ones that I have done recently but only very slowly getting around to processing, scanning and posting them. Last night I was shooting The Gloaming from the side of the stage in Vicar Street and two weeks ago I was down in Cork photographing The Spook Of The Thirteenth Lock in Triskel Christchurch. The one above though is from the beginning of April and is Si Schroeder playing at the Beyond The Bookshelf micro-festival which takes place behind Connolly Books on Essex Street in Temple Bar. Connolly Books was established by members of the Communist Party of Ireland (history of the bookshop here) and stocks the city’s widest selection of Marxist and left-leaning literature. As far as I can figure out, Essex Street was also the location of Dublin’s long-gone occult/sci-fi/comics bookshop The Alchemists Head. I have dim memories of venturing down there as a teenager trying to find Harlan Ellison books, long before Temple Bar was turned into the country’s largest entertainment complex.

Anyway, you would never know it from the street, or even from inside the shop, but out the back of Connolly Books is a fully equipped state-of-the-art professional theatre space, The New Theatre, built by Mick Wallace in 2007. The Beyond The Bookshelf festival runs here once a year and is really three nights of gigs – some of which are in the theatre space, and some in the bookshop itself. This year they had Duke Special, Si Schroeder, The Pale and many more. I went along the night that Si Schroeder was playing and as well as taking some of the usual balcony-position shots, I set up the camera on the side of the stage and took some from that angle too. The photograph above is one of these. Because I was sitting on the stage and consequently feeling self-conscious I wasn’t taking notes so I don’t know how long the exposure was or what song it was. But it’s obviously the one where Mark plays guitar. I have some others from the festival that I will post in due course so stay tuned …

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Neil O’Connor and friends, aka the excellent Somadrone, playing in the Unitarian Church on Stephens Green a week or so ago. I had been meaning to try the photographs there for a while, and missed out on a couple of opportunties to do so over the last year, so thanks to Neil and the Skinny Wolves boys for facilitating it. (more…)

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Sometimes things don’t work out the way they are supposed to. The photograph above is an accident, a screw-up, caused by an inadvertent double exposure. The bottom half of the frame is Washed Out, playing on the main ATP stage on the Saturday afternoon. The top half is something else entirely. I think its Caribou, but I’m not entirely sure. What probably happened here is that I took a photograph during the Battles set, put the holder with the exposed film back in my bag, took it out again the next day while Caribou were playing, and accidentally made another exposure on the same sheet of film. (more…)

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On the Saturday night of ATP, while watching the fantastic Bitch Magnet in the Reds venue, I noticed a small wedge-shaped area on the right of the stage that wasn’t being used for anything. I started thinking about how good it would be to be taking photographs with the camera actually on the stage as opposed to from the audience’s point of view. I made some enquiries the next morning, and again thanks to some incredibly helpful folk who work at ATP, I found myself later that day setting up the 4×5 on the stage just as The Ex were getting ready to play. (more…)

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