Right from the start I saw Dublin’s Vicar Street venue as being ideal for this project but it took me quite a while before I managed to get in there to try it out. The venue management were very helpful and open to the idea from the start, but the problem was that it’s a [...]
Posts Tagged ‘photography’
Vicar Street At Last
Posted in Venues, Vicar Street, tagged BEAM Orchestra, Daniel Johnston, foggy notions, large format photography, long exposure, photography, stages, vicar street on June 2, 2010 | 3 Comments »
Spot The Difference
Posted in Venues, Whelans, tagged art, large format photography, long exposure, photography, retribution gospel choir, stages, subplots, whelans on May 21, 2010 | Leave a Comment »
Most gigs I go to have one, if not two, support bands. I wondered early on whether to try and shoot both acts, or just concentrate on the main attraction. The problem is that two different bands, on the same night, will share a lot of equipment, so there are similarities between the resultant pictures. [...]
Retribution Gospel Choir
Posted in Venues, Whelans, tagged Alan Sparhawk, foggy notions, large format photography, long exposure, low, photography, retribution gospel choir, stages, whelans on May 18, 2010 | 1 Comment »
This is Retribution Gospel Choir, shot in Whelans back on the 13th of March. It was a pretty sparsely attended gig, which surprised me, as the band are a side-project of Alan Sparhawk of Low. I only decided to go in on the day, and the extraordinarily helpful Alastair Foley of Whelans/Foggy Notions sorted out [...]
Four minutes at f32 and Bob’s your uncle …
Posted in Venues, Whelans, tagged as you drown, concert photography, large format photography, long exposures, photography, stages, vader, whelans on May 13, 2010 | Leave a Comment »
This shot was the first successful one I took in Whelans. The first night I tried to photograph there was at a Xiu Xiu gig and I was immediately faced with the problem that I couldn’t hoist the camera up far enough to clear the balcony railing. The next time I went, I solved the [...]
Exception to the Norm: Representations of Urban Africa in Paul Seawright’s “Invisible Cities” (Part Two)
Posted in On Documentary, Photography Criticism, tagged Africa, documentary, martha rosler, ncad, paul seawright, photography, sebastiao salgado, stereotyping, urban african photography, visual culture on March 16, 2010 | Leave a Comment »
This post is part two of an essay on Paul Seawright’s Invisible Cities project. You can read part one here. Invisible Cities clearly must be considered as part of a tradition of documentary photography and as such it raises a number of interesting questions that I will now turn to. The first of these is [...]
Exception to the Norm: Representations of Urban Africa in Paul Seawright’s “Invisible Cities” (Part One)
Posted in On Documentary, Photography Criticism, tagged Africa, art, documentary, guy tillim, invisible cities, ncad, paul seawright, photography, Photography Criticism, urban african photography on March 8, 2010 | 1 Comment »
This post is something of a departure from the usual business on this blog. It is an essay I wrote on Paul Seawright, focusing in particular on his Invisible Cities work. This work comprises of photographs taken over a three-year period in sub-Saharan African cities. In many senses the work goes against the grain of [...]
The Paradoxes of Digital Photography – Lev Manovich (1995)
Posted in Photography Theory, tagged 3D graphics, Andreas Gursky, art, digital photography, Lee Manovich, ncad, photography, Photography Criticism, realism, visual culture, William Mitchell on February 25, 2010 | 2 Comments »
In this essay, written in 1995, Lev Manovich explores the ramifications of digital technology and photography. He asks if such a thing as digital photography really exists, and to what extent this really differs from traditional photographic practice. Manovich starts by referring to a range of digital innovations that have transformed the practice of image [...]
Playing In The Fields Of The Image – Abigail Solomon-Godeau (1982)
Posted in Photography Criticism, Photography Theory, tagged abigail solomon-godeau, art, john szarkowski, Maartje van den Heuvel, modernism, ncad, photography, Photography Criticism, post-modernism, richard prince, vikky alexander, visual culture on February 25, 2010 | 3 Comments »
This essay appears in Solomon-Godeau’s Photography At The Dock collection. It deals with a number of post-modern photographic artists, explaining their work, and situating it in opposition to the established canon of modernist art photography. It is deeply critical of many of the fundamental assumptions of modernist photography that would have been elaborated in the [...]
Introduction To The Photographers Eye – John Szarkowski (1966)
Posted in Photography Criticism, Photography Theory, tagged art, elliot erwitt, jeff wall, john szarkowski, modernism, ncad, photography, Photography Criticism, realism, the photographer's eye, visual culture on February 21, 2010 | 6 Comments »
John Szarkowski’s book The Photographers Eye was based on an exhibition of the same name held at the Musuem Of Modern Art in New Work in 1964. It featured the work of Friedlander, Evans, Strand and many others, and attempted to give an overview of the fundamental challenges and opportunities of the photographic medium. In [...]
