Graham Harman is an interesting character. He’s a leading figure in contemporary philosophy and holds a professorship at the American University in Cairo, yet earlier in life had a stint working as a sports writer in Chicago. It seems an unlikely trajectory, but for Harman it makes perfect sense, as his work insists on grappling with the real stuff of the world rather than retreating entirely into the mysteries of abstract thought. This might sound slightly dull but in fact it is anything but. Harman manages to mystify this real stuff, so much so that after spending some time reading him, I can’t look at my toaster in quite the same way anymore. Based on my somewhat cursory exposure to his work, I’m going to try and quickly sketch out some of his basic ideas. I can’t possibly do them justice but I’m going to try anyway because I think they lead to an interesting new way of thinking about these photographs I am doing. Apologies in advance to any students of philosophy reading this. It might be best if you stop here. (more…)
Archive for November, 2012
How Objects Experience Each Other
Posted in Photography, Theatre, Writing, tagged Absolut Fringe, Graham Harman, Hugh McCabe, long exposure, Object Oriented Philosophy, photography theory, realism on November 4, 2012| 4 Comments »