Feeds:
Posts
Comments

Archive for the ‘Bands’ Category

Woods_Psych016

This is Woods playing at the Liverpool International Festival of Psychedelia 2014, which took place over the last weekend of September. This is the second of a series of photographs that I took at it (the first was of Goat and can be seen here) and I’ll put more of them up here over the next week or so. As usual, this photograph was created by opening the shutter at the start of the song and closing it at the end. Big thanks to the festival organisers for facilitating this, especially Sam Hinde, and also to the crew who were all extraordinarily helpful. As I said, more of these to come.

Advertisement

Read Full Post »

GoatForPete

Pop, punk, prog and psych: these are what Robert Pollard of Guided By Voices refers to as the ‘four P’s’. For Pollard, they constitute the key ingredients of this thing we call rock. You can include one or two of these ingredients and still produce something really good, but if you want to be great, you have to master all four. As the driving force behind the greatest band of the modern era, this is a man who knows a thing or two about music, and we should therefore take note of what he says. What Pollard’s taxonomy suggests is that psychedelia is not some sort of temporary aberration in the trajectory; not just the folly of drugged-out hippies in Haight-Ashbury. Instead it’s a core element of the DNA of the music itself, and it’s therefore just as relevant right now as it was when the original wave of psychonauts set the controls for the heart of the sun way back in the late 1960s. If you’ve never tuned-in, turned-on and dropped-out, then you’re not just missing out on the joys of one particular sub-genre of rock music, you’re missing out on pretty much the whole damn thing. Your outlook is fundamentally flawed. You probably think ALT-J are a good band.

The photo at the top is of the Swedish band Goat. The text is the first part of a review I wrote for thumped.com of the 2014 edition of the Liverpool International Festival of Psychedelia. You can read the full thing here.

Read Full Post »

Swans at SupersonicThere is a song on the new Swans album, To Be Kind, that is directly inspired by Lars Von Trier’s brilliant 2011 film Melancholia. The film tells the story of two sisters, Claire and Justine, and their differing reactions to the impending arrival of a rogue planet, which, as becomes apparent as the film progresses, is in danger of crashing into and destroying the Earth. The first half of the film revolves around a wedding party at a country house for Justine, who is to be married the next day, an event that Claire is largely responsible for organising. Claire is at home within this world of social and familial ritual, however Justine is not, and her behaviour becomes more and more erratic and unhinged as the evening progresses. The night ends in disarray, with Justine’s husband-to-be and the rest of the guests leaving in disgust, and the wedding cancelled. The second part of the film concentrates on Claire and Justine (along with Claire’s husband and son) as they await the arrival of the planet Melancholia. It initially seems that it won’t collide with Earth at all, however it eventually becomes undeniable that it will, and that there is no escape (Claire’s husband commits suicide when he finally accepts this). Claire goes through stages of denial, fear, panic and despair, whereas Justine calmly accepts the situation, and smilingly tries to comfort Claire right up until the final moments. (more…)

Read Full Post »

DinahBrandFinished1

I’ve been spending some time recently grappling with Gilles Deleuze and Felix Guattari’s philosophical magnum opus, A Thousand Plateaus. This is partly because of a seminar group at NCAD I am involved with, and partly because, well, there’s not really that much of interest on the telly these dark winter evenings. A Thousand Plateaus (let’s call it ATP for short) was published in 1980 and is the second part of a two-volume project by Deleuze and Guattari (let’s call them D&G for short) which they titled Capitalism and Schizophrenia (the first part, Anti-Oedipus, came out in 1972). (more…)

Read Full Post »

Low

This is Low playing in Whelans a few weeks ago. I’ve always liked Low – one of those rare bands who have a unique sound and are utterly in control of what they’re doing. I liked them even more when I heard they did a 30 minute drone version of one of their songs at a festival in the US earlier this year. The gig in Whelans was a more conventional affair but still great. My Bloody Valentine should take a leaf out of their book and just do one solid hour of the noise section in You Made Me Realise at Electric Picnic on Friday night.

As usual this photograph was created with a single exposure: shutter opened at the start of the song and closed at the end. This was the second song of their set and is an exposure of 3 minutes and 19 seconds in length. I was pretty sure that the photograph would not work out because of the film footage being projected on to the back of the stage (that usually messes things up) but it did. First gig photograph done with my lovely spanking new Toyo 4×5 camera and scanned on my equally lovely new Epson V700 scanner.

Read Full Post »

Spook-1This is the Spook Of The Thirteenth Lock playing in the Unitarian Church in Dublin a few weeks back. They are easily my most photographed band at this stage. Even though I do like them, this isn’t entirely intentional. Wherever I go with my camera, they seem to just be there. This particular gig was organised by the excellent Young Hearts Run Free collective and also featured Mossy Nolan, Margie Lewis and The Pictish Trail. (more…)

Read Full Post »

AnimalCollective
Someone left the following comment on this blog a little while ago:

this site is not really helpful it could use a little more facts this is to who ever posted this to google

I thought I would try and address this situation a little bit by trying to come up with some facts about this photograph:

  1. It is a photograph of the band Animal Collective
  2. It was taken in Vicar Street a few weeks back
  3. The band were touring their new album which is called Centipede Hz
  4. They had huge inflatable stage props with lights inside them
  5. It is an exposure of approximately 4 minutes
  6. The aperture setting was f32
  7. It was taken using a Cambo camera with a 90mm Schneider lens
  8. It was shot on Ilford FP4 4×5 film
  9. The film was processed by Artur Sikora of the Darkroom Service
  10. The negative was scanned on an Epson V700 scanner
  11. The resultant digital image file is 1200 by 960 pixels wide giving a total of 1,152,000 pixels altogether

Happy Christmas.

Read Full Post »


Sometime back in the early 90’s I was part of an email music discussion group called chugchanga. This was before way before blogs were around and also a good bit before discussion boards took off. Lots of well-informed and well-connected types used this list (for example Steve Albini would often pitch in) and it was a great way of finding out about new music that wasn’t necessarily being covered anywhere else. There was an Irish guy, who lived in Holland at the time (I’ve forgotten his name), who regularly contributed lengthy analyses of obscure and fascinating-sounding bands he had unearthed. One of these was Fushitsusha: a Japanese psych-rock trio who were led by an enigmatic character called Keiji Haino. They sounded like an incredible proposition. Not really a rock band in any conventional sense, they mixed together free improvisation with scorchingly heavy guitar noise to create something else, something that was, allegedly at least, beyond rock music. (more…)

Read Full Post »

I haven’t posted any new pictures up here in some time. Summer is a pretty slack time for interesting gigs anyway so I decided to take a bit of a break from it for a while. I did go down to Cork last week though to take down the exhibition I had running in Plugd, and while I was there I took the opportunity to photograph Orchestra Of Spheres who were playing at the Half Moon theatre. It’s a pretty cool venue for a number of reasons beyond the fact that it has a big stage, nice layout and good sound. Firstly, it has giant gargoyles sitting on top of the speaker stacks. Every venue should have this. Secondly, and of far more significance, it was the place that Guided By Voices played their one and only Cork gig back in 2002. I wish I hadn’t been told this, because even as I was sitting on the balcony thoroughly enjoying the completely intoxicating psychedelic tribal party music of Orchestra Of Spheres, I kept imagining that it was Robert Pollard down there singing Motor Away. Great gig though all the same, and thanks to Albert for this and many other things besides.

Read Full Post »

This is Thomas Bartlett, Iarla Ó Lionaird, Martin Hayes, Caoimhín Ó Raghallaigh and Dennis Cahill, otherwise known as The Gloaming, playing in Vicar Street a few weeks ago. An amazing gig and an amazing experience to be watching it all while photographing from the side of the stage. It was set up for me by Paul O’Connor at The Journal Of Music, who published the photo and also a short article I wrote to accompany it.  Big thanks to Paul, and also to Leagues O’Toole, Dennis Herlihy, Gary Sheehan and Iarla Ó Lionaird for helping make this happen.

The photograph above is also one of the prints that are in my current exhibition which is on view in Plugd at the Triskel Arts Centre in Cork. I went down last Thursday to set it all up and thanks are also due to Albert and Jim of Plugd for being so incredibly helpful and supportive. It’s going to be on until the beginning of July so do pop in and have a look if you find yourself in Cork city centre over the next few weeks.

Read Full Post »

« Newer Posts - Older Posts »