This is a photograph taken during the exhibition Amid The Deepening Shades which took place at the Deer Park hotel in Howth back in November 2014 and was curated by the artists Ruth Clinton and Niamh Moriarty. The Deer Park is no longer in use as a hotel and occupies a spectacular location in the grounds out the back of Howth Castle. The photograph was taken during a music performance by the drone/noise group mvestle which happened inside the drained hotel swimming pool one Sunday afternoon. I’m sure I was not the only person to feel echoes of Kubrick’s The Shining from the whole event. As if the location of the abandoned hotel was not enough, when I went for a stroll around some of the empty corridors, I came across a child’s bicycle lying on the floor outside the door of one of hotel rooms. They assure me they didn’t put it there on purpose but I don’t think I believe them.
Archive for the ‘Other’ Category
Amid The Deepening Shades
Posted in Other, Photography, tagged Amid The Deepening Shades, Hugh McCabe, large format photography, long exposure, mvestle, Ruth Clinton and Niamh Moriarty on February 24, 2015| Leave a Comment »
The Heterotopic Art Institution
Posted in Other, Photography, Writing, tagged Emma Mahony, Gracelands, Heterotopia, Hugh McCabe, IMMA, large format photography, long exposure, Michel Foucault, Vaari Claffey on August 10, 2014| 4 Comments »
The following was written for Emma Mahony’s excellent module, Art Institutions And Their Publics, which was delivered as part of the NCAD MA Art In The Contemporary World course in 2013. It deals with the notion of the deviant art institution, a concept introduced by Emma on the course, and considers whether Michel Foucault’s idea of the heterotopia might or might not function as an appropriate conceptual model for such an institution.
Michel Foucault’s 1967 lecture Of Other Spaces outlines his concept of the heterotopia1, a sort of countersite which somehow contests or inverts the sets of relations by which spaces and sites in the rest of our world are constituted. Foucault claims that such sites are critical to functioning of the human imaginary and implies that without them a collapse into authoritarianism is inevitable. As he puts it at the end of the piece, after providing the example of the ship as a heterotopia par excellence, “without boats, dreams dry up, espionage takes the place of adventure, and the police take the place of pirates”. (more…)
The Long Still
Posted in Other, Photography, tagged Broadstone Studios, Hugh McCabe, large format photography, long exposure, Niamh O'Doherty, The Long Still on March 9, 2014| Leave a Comment »
This is a photography of an installation by the artist Niamh O’Doherty which was exhibited at Broadstone Studios during January of this year. It consists of seven Super 8 projectors and seven hanging screens. Each projector is projecting speeded-up footage shot on a beach in Donegal over the course of one day in October last year. As Niamh puts it, “the film documents the shifts and changes in light and tide through the course of a day”. It was a really well executed piece of work and I wanted to photograph it because there seemed to be a lot of things going on here that resonated with what I have been doing with this project – analogue processes, representations of time. Even the title, The Long Still, seemed like it could just as easily be referring to an extended time exposure photograph. (more…)