This is a photograph taken during the exhibition Amid The Deepening Shades which took place at the Deer Park hotel in Howth back in November 2014 and was curated by the artists Ruth Clinton and Niamh Moriarty. The Deer Park is no longer in use as a hotel and occupies a spectacular location in the grounds out the back of Howth Castle. The photograph was taken during a music performance by the drone/noise group mvestle which happened inside the drained hotel swimming pool one Sunday afternoon. I’m sure I was not the only person to feel echoes of Kubrick’s The Shining from the whole event. As if the location of the abandoned hotel was not enough, when I went for a stroll around some of the empty corridors, I came across a child’s bicycle lying on the floor outside the door of one of hotel rooms. They assure me they didn’t put it there on purpose but I don’t think I believe them.
Archive for the ‘Other’ Category
Posted in Other, Photography, Writing, tagged art, Ben Woodard, Delueze, Hugh McCabe, Pact Of Disengagement, philosophy, Temple Bar Gallery and Studios, Teresa Gillespie on September 16, 2014| Leave a Comment »
This is a text I wrote for the Pact Of Disengagement event that took place at Temple Bar Gallery and Studios back in May, which Teresa Gillespie and Ben Woodard kindly invited me to be part of. The idea was to explore the question of the nature of the relationship between art and philosophy, or as Teresa and Ben put it, their ‘mutual abuses’. I was one of a panel of speakers (Paul Ennis, Francis Halsall, Matthew Slack, Edia Connole, Jonathan Mayhew, Micheal O’Rourke, Rob Murphy, Lily Cahill and Tina Kinsella), each of whom had five minutes to articulate some thoughts on the subject. This text was written to be ‘read out’, rather than ‘read’, so you could always read it aloud to get the full effect
I am going to talk about this idea of abuse – the notion that more often than not art and philosophy are engaged in a form of mutual abuse that is not particularly constructive. Abuse of philosophy by artists. Abuse of art by philosophers. I’m going to suggest though that maybe abuse isn’t always bad and that we might take, not an uncritical view of it, but at least a view that is open to the possibilities that such abuse might present. I’m going to largely confine myself to artists abusing philosophy rather than the other way around. (more…)
Posted in Other, Photography, Writing, tagged Emma Mahony, Gracelands, Heterotopia, Hugh McCabe, IMMA, large format photography, long exposure, Michel Foucault, Vaari Claffey on August 10, 2014| Leave a Comment »
The following was written for Emma Mahony’s excellent module, Art Institutions And Their Publics, which was delivered as part of the NCAD MA Art In The Contemporary World course in 2013. It deals with the notion of the deviant art institution, a concept introduced by Emma on the course, and considers whether Michel Foucault’s idea of the heterotopia might or might not function as an appropriate conceptual model for such an institution.
Michel Foucault’s 1967 lecture Of Other Spaces outlines his concept of the heterotopia1, a sort of countersite which somehow contests or inverts the sets of relations by which spaces and sites in the rest of our world are constituted. Foucault claims that such sites are critical to functioning of the human imaginary and implies that without them a collapse into authoritarianism is inevitable. As he puts it at the end of the piece, after providing the example of the ship as a heterotopia par excellence, “without boats, dreams dry up, espionage takes the place of adventure, and the police take the place of pirates”. (more…)
This is a photography of an installation by the artist Niamh O’Doherty which was exhibited at Broadstone Studios during January of this year. It consists of seven Super 8 projectors and seven hanging screens. Each projector is projecting speeded-up footage shot on a beach in Donegal over the course of one day in October last year. As Niamh puts it, “the film documents the shifts and changes in light and tide through the course of a day”. It was a really well executed piece of work and I wanted to photograph it because there seemed to be a lot of things going on here that resonated with what I have been doing with this project – analogue processes, representations of time. Even the title, The Long Still, seemed like it could just as easily be referring to an extended time exposure photograph. (more…)