Last one of the set. This is Sudden Death Of Stars who kicked off proceedings on the Furnace stage on Saturday afternoon. Another double exposure.
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Last but one. This is Grumbling Fur again but this time shot from front of stage rather than the side.
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This is Hills, from Sweden. Find out more about them here.
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This is Alexander Tucker and Daniel O’Sullivan, otherwise known as Grumbling Fur, on the Furnace stage of Psychfest. I like this band a lot and have been obsessively listening to their excellent Glynnaestra album for the last few weeks.
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This is Islet playing on the Camp stage on Saturday afternoon of the Psychfest. It’s a double exposure so there are way more drums than one might normally expect.
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This is the French band Moodoid, who played on the Saturday afternoon of the Psychfest. There was a lot of glitter involved.
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This is Woods playing at the Liverpool International Festival of Psychedelia 2014, which took place over the last weekend of September. This is the second of a series of photographs that I took at it (the first was of Goat and can be seen here) and I’ll put more of them up here over the next week or so. As usual, this photograph was created by opening the shutter at the start of the song and closing it at the end. Big thanks to the festival organisers for facilitating this, especially Sam Hinde, and also to the crew who were all extraordinarily helpful. As I said, more of these to come.
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Pop, punk, prog and psych: these are what Robert Pollard of Guided By Voices refers to as the ‘four P’s’. For Pollard, they constitute the key ingredients of this thing we call rock. You can include one or two of these ingredients and still produce something really good, but if you want to be great, you have to master all four. As the driving force behind the greatest band of the modern era, this is a man who knows a thing or two about music, and we should therefore take note of what he says. What Pollard’s taxonomy suggests is that psychedelia is not some sort of temporary aberration in the trajectory; not just the folly of drugged-out hippies in Haight-Ashbury. Instead it’s a core element of the DNA of the music itself, and it’s therefore just as relevant right now as it was when the original wave of psychonauts set the controls for the heart of the sun way back in the late 1960s. If you’ve never tuned-in, turned-on and dropped-out, then you’re not just missing out on the joys of one particular sub-genre of rock music, you’re missing out on pretty much the whole damn thing. Your outlook is fundamentally flawed. You probably think ALT-J are a good band.
The photo at the top is of the Swedish band Goat. The text is the first part of a review I wrote for thumped.com of the 2014 edition of the Liverpool International Festival of Psychedelia. You can read the full thing here.
Posted in Bands, Photography, Writing | Tagged Goat, Hugh McCabe, large format photography, Liverpool PsychFest, long exposure | 2 Comments »
The following was written for Emma Mahony’s excellent module, Art Institutions And Their Publics, which was delivered as part of the NCAD MA Art In The Contemporary World course in 2013. It deals with the notion of the deviant art institution, a concept introduced by Emma on the course, and considers whether Michel Foucault’s idea of the heterotopia might or might not function as an appropriate conceptual model for such an institution.
Michel Foucault’s 1967 lecture Of Other Spaces outlines his concept of the heterotopia1, a sort of countersite which somehow contests or inverts the sets of relations by which spaces and sites in the rest of our world are constituted. Foucault claims that such sites are critical to functioning of the human imaginary and implies that without them a collapse into authoritarianism is inevitable. As he puts it at the end of the piece, after providing the example of the ship as a heterotopia par excellence, “without boats, dreams dry up, espionage takes the place of adventure, and the police take the place of pirates”. Continue Reading »
Posted in Other, Photography, Writing | Tagged Emma Mahony, Gracelands, Heterotopia, Hugh McCabe, IMMA, large format photography, long exposure, Michel Foucault, Vaari Claffey | 4 Comments »