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Posts Tagged ‘Peter Wollen’

Peter Wollen’s Fire and Ice is a meditation on time and tense in photography and cinema. It deals with issues regarding what sorts of temporal experiences can be embodied within both forms and how the viewer’s means of engagement impacts upon this. The essay was first published in 1984 but later included in Liz Well’s 2003 book, The Photography Reader.

Photography is inextricably bound up with time. A photograph stops a moment and preserves it as a fragment of the past. The moment captured is of near-zero duration and located in an ever-receding ‘then’. By contrast, the spectator’s ‘now’ is of no fixed duration – the spectator can spend as long as he/she wishes, looking at the photograph. This contrasts sharply with cinema where the spectator’s experience is of fixed duration and often only available at set times.

Wollen applies these observations to Barthes, and claims that this temporal distinction between photography and film explains Barthes’s love of photography and antipathy towards film. Barthes privileges what the spectator brings to the work over the input of the author (as evidenced for example in Death Of The Author), and hence favours a medium like photography, where the spectator is in control over the time and circumstances of the viewing of the work, over film, where that control is ceded to the author. As Wollen puts it: ‘Time, for Barthes, should be the prerogative of the reader/spectator’. The implication of this is a bias against an author-imposed narrative structure and a preference for a freer, more interpretative approach controlled by the spectator. (more…)

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