The following is a text that was written after attending the Former West congress in Berlin in 2013. Former West was an event that sought to examine the status of art production, particularly politically engaged art production, in the context of a post-1989 Europe. In the piece below I discuss one particular strand of the congress. This was led by Irit Rogoff and was based around the theme of infrastructure. I mainly discuss Rogoff’s contribution but also briefly allude to some of the others as well.
Rogoff started by noting how we in the so-called West tend to pride ourselves on a functioning and superior infrastructure. This takes many forms: a logistical infrastructure that includes transportation elements such as roads and railways; a technological infrastructure consisting of various forms of communication networks; a financial infrastructure dedicated to the movement and circulation of capital; as well other infrastructures dedicated to the facilitation of activities in specific fields of endeavour such as education, law, and all the myriad forms of cultural practice, including of course, art. While infrastructure takes many forms, its defining characteristic is a focus on delivery – delivery of material things such as goods, services, cash, people – or delivery of immaterial things such as credit, data, information, thoughts, ideas. One way or another it moves things from place to place. It facilitates connections between things. It allows things to enter into various forms of relations with each other. Rogoff’s proposition is that infrastructure is a defining characteristic of the contemporary condition, and that therefore we need to think it critically. We need to be alert to both the problems and the possibilities that it presents, in order to figure out how we should operate effectively within it. (more…)
Traces Of The Real 